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Are NFTs Securities? Artists Demand Answers in Lawsuit Against SEC

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Teuta Franjkovic
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Key Takeaways

  • NFT artists Brian Frye and Jonathan Mann have filed a lawsuit against the SEC to clarify whether NFTs should be regulated as securities.
  • The case highlights concerns that the SEC’s regulatory approach could impose complex legal burdens on artists.
  • The lawsuit could lead to significant legal precedents that define the scope of the SEC’s authority over NFTs.

Law professor Brian Frye and songwriter Jonathan Mann filed a lawsuit against the U.S. Securities and Exchange Commission (SEC) to determine whether Non-fungible tokens (NFTs) are within the agency’s regulatory domain. 

This legal action highlights the growing tension between the burgeoning digital art market and traditional regulatory frameworks, setting the stage for a pivotal legal showdown.

NFT Artists File Lawsuit Against SEC for Clarity on Jurisdiction

The lawsuit, filed on Monday, July 29, in the US District Court in the Eastern District of Louisiana, challenges the SEC’s expanding influence over digital art and seeks a declaratory judgment to clarify the legal status of NFTs.

The complaint argues that the SEC has overstepped its jurisdiction by classifying certain NFTs as securities.

“The SEC’s position raises a host of unanswered questions for creators, sellers, and buyers of NFTs—chiefly, in what circumstances does the offer and sale of NFTs constitute securities offerings or sales? ” Mann and Frye posited in their complaint.

The lawsuit cites recent cases, such as those against Impact Theory and Stoner Cats 2 LLC, where the SEC pursued actions based on the premise that the NFTs involved were investment contracts and, therefore, securities. 

Although these cases were settled, they appear to expand the SEC’s reach into areas traditionally not considered financial instruments, including digital art and collectibles.

Broader Concerns for the Creative Community

Frye and Mann underscored that the SEC’s approach to regulating NFTs has far-reaching implications that could affect artists and creators who use digital platforms to sell their work.

The artists argue that the SEC’s actions could force creators to consider securities law compliance for transactions that have traditionally been regarded purely as art sales.

“It would have been ridiculous to require great American visual artists like Lichtenstein, Basquiat, Warhol, O’Keeffe, Rockwell, Pollock, Frankenthaler, or Wyeth to “register” their paintings or offer them under some exemption in the securities laws, just because they sold multiple copies of their artworks or made art in a series of related topics,” the complaint wrote.

The complainants noted that this requirement could stifle innovation and impose undue burdens on artists who may not have the resources to navigate complex securities regulations.

The lawsuit has garnered attention and support from various stakeholders in the cryptocurrency and digital art communities.

Crypto executives and organizations have voiced their concerns about the SEC’s methods, asserting that the agency’s broad application of securities laws to NFTs is arbitrary and discourages creativity.

Potential Outcomes and Impact

This legal challenge is crucial as it may lead to significant clarifications regarding the classification of NFTs under US securities laws .

A ruling favoring the artists could limit the SEC’s regulatory scope over NFTs, promoting a more flourishing environment for digital creativity.

Conversely, favoring the SEC could lead to a new standard where digital assets are routinely scrutinized as potential securities, fundamentally altering the NFT marketplace.

The outcome of this case will impact the parties involved and could also set legal precedents affecting how digital creative expressions, like NFTs, are treated under U.S. securities laws, influencing a broad spectrum of stakeholders in the digital and creative economies.

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Teuta Franjkovic

Teuta is a seasoned writer and editor with more than 15 years of experience. She has expertise in covering macroeconomics and technology as well as the cryptocurrency and blockchain industries. She has worked for several publications as a journalist and editor, including Forbes, Bloomberg, CoinTelegraph, Coin Rivet, CoinSpeaker, VRWorld and Arcane Bear. Teuta began her professional career in 2005, working as a lifestyle writer at Cosmopolitan in Croatia. From there, she branched out to several other publications, covering mainly business and the economy. She then turned her attention to the world of cryptocurrency and blockchain, believing that crypto is among the most important inventions in the history of humanity. Her involvement in fintech began in 2014 and she has since lent her expertise in writing, editing and gathering information about the world of crypto, blockchain, NFTs and Web3. An all-round news hound, mentor, editor, and writer, Teuta enjoys teamwork and good communication. She holds a WSET2 diploma and has a thing for chablis, punkrock music and shoes. She also holds a double MA in Political science and Entrepreneurship.
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